10
Photo-Synthesis
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The Art-Photography
in multidimensional readings towards Synthesis
My predominant call and mode in photography has to do with capturing the frame exactly the way i pictured it
without prior intention of editing it afterwards. Image digital editing doesn't seem to be the kind of Art that moves me, just as i rarely use the camera resources,
keeping it in automatic mode most of the times - i'm not dedicated to photography to the point of exploring its most technical or even artistic features nor do i
possess a sophisticated photographic equipment.
The movement is elsewhere oriented . . .
As shared in Art and Sacred Geometry, i've always had a natural sync with symmetry-proportion-precision, which in certain types of capture can often translate in a kind of geometric photography, in cuttings and angles that neutralize their context and bring out that Essential Art where it may go unnoticed.
Grid around a tree on the the sidewalk S. João do Estoril, Cascais, Portugal 2010 - detail 1 A meritorious urban care . . .
. - detail 2 . . . a contrast that doesn't harm if cared for
. Spherical Attraction . . . Sculpture S. João do Estoril, Cascais, Portugal 2010
. . . . Spherical Attraction . . .
. . . . Spherical Attraction
I've observed that the act of photographing has its own Conduction when i fully sync with it. At several times when i go out with the intention of and focus on capturing photos, the photos captured, individually of in sets, often give origin to narratives not previously "written" but still as if they were following a script to be revealed later
- as in analogue photo processing.
Quarteira, Algarve, Portugal 2011 - photos shot at different moments with different cameras, synchronize in trans-space-time, testifying for the Common Denominator . . . - one of the details of this photo: absence of shade from the straw beach umbrella I am One Between the Sky and the Earth I Meet mySelf in the Sea with the Sun inside
. - same absence of shades I am All Between the Sky and the Earth I Meet You with the Sun inside
Conversely, there are times and moments when Life takes over and is self-sufficing, with no camera being able to capture It without some loss of the experience that is being proposed - only subtle senses can record It, and that is how it's meant to be - immaterially sculpted in solid matter.
Sculpture LX Factory, Lisbon, Portugal 2009 - whole piece: two parts connected by hinge; the left part, in glass, closes over the right part Sculpting the Silence Flying over the Sculpted Silence
. - detail of the right part
At the present photo fever Age facilitated by technology and fed by social media, i've observed too many times, somewhat sad at times, people hastening to take a photo of something that touched them, only to leave immediately after, without having allowed themselves to truly Live that Moment of Touch. Just because they took the photo, the very Moment becomes postponed, or lost at its Core - instead of the photo being an addition to the Moment,
the photo has become the moment.
So, let us not forget that the camera is merely the outer technology that partially imitates the human capturing ability. And if the camera has the ability to eternalize a moment and we love it for it, it does not, however, have the function or ability to replace that moment before us. Sometimes the very act of taking a photo completely empties this Moment of its whole Subtle Richness that was there to be Absorbed, Eternalized in Consciousness and Ether, with no record other than that.
My testimony and call here is that Photography too returns to its place, ennobled in Essence rather than banalized by a technology that easily loses and causes to lose sight of the Centre. Art thus centred has the power to recover this Value.
All is good when in its Place.
Nature has Its own very special way of showing
this Place of Things.
Different tree trunks near home, 2010 When we LOOK at Nature,
Nature LOOKS back at us assumes Its FACE mirroring our SYMMETRY
. speaks to us in CODE
. and shows Its COMPLICITY with our UNDERCOVER LIVE ACT
A day ending in Multi . . .
visualize from photo 1/15, in the sequencial order
move the cursor over to read, and click the arrow to advance
Fire-Light Igniting the Point of Connecting Water-Earth called me
i stayed
Thank You Life for bringing me Here Photos Guincho, Cascais, Portugal Fev 2009 Translation into verbal language Dec 2014
Fire-Light Igniting the Point of Connecting Water-Earth called me
maria, at 10 . . . and 10 + . . .
Age and Identity
Identity and Power
Power and Responsibility
Origin and Destiny
. (digital edited photo of the original printed photo in postcard size) First ID photo, first "official" Identity projection to the World, a moment felt as solemn, unforgettable. The studio photographer was sensitive in capturing the exact subtle expression of that feeling. One of the four key face portraits of my life, evoking Presence of Essence. This one is the only one where age is an important data, so 10 is indeed the right page for it.
. (Jardim da Fábrica de Pólvora, Barcarena, Portugal, 2005) - photos taken in a seemingly disconnected space-time context, accurately reveal our multi- and inter-dimensional nature, connecting Origin and Destiny
. (Serra da Estrela | Star Mountain Range, point of highest elevation in Continental Portugal, 2009) - . . . connecting Origin and Destiny Great sensation of Elevated-Centred Freedom. Task Assumed Radiates Plenitude. . . . it snowned that Spring day . . .
. 10 years later, i got special reinforcements! Unexpected invitation to rare family gathering, at this location where i had only been on that 15.08.2005 and now on this 23.08.2015 My second degree cousins, Mariana 7, Sofia 12, decided to place themselves this way, i just took the photo.
. few minutes before, Sofia took my photo 7 kg less 7 cm less (previous sandals height) no sun tan no sun glasses more sun light, under cloudy sky two hands, reinforcing the Gate . . . white and blue . . . Yes! Reloaded!
Other Doors . . .
Capuchin Monastery, Sintra, Portugal, after months of waiting, finally, on August 30 2015 Contrarily to the modern suggestion for entrance, through the left, i wanted to follow the route of the Original Plan, entering through the Door of Death, at the right. At a Denudation Pause Inside the Dark Chamber, a see that which i've called the Door of Life. I photographed it feeling both Embraced in the Darkness and Called by the Light . . . as a Star Seed on Earth in Nature Communion . . .
The SoundScape found between the single image above and the multiple image below
(description below video complemented here)
. . . . so i feel at 12, which i've also called my space noon, so i've been sitting here at 11, morning hour at this space outdoors which today i'm bringing to 10, illustrating in space-time, image-sound, the inner-outer Atmosphere that mirrors other Spheres . . . still silent at 12 . . .
. . . . Sitting, i Listen to Them, now at this space-time . . .
. . - - - wherever i Sit this way, there can't be absence without Presence, part of me remains within the space, part of the space remains within me . . . in intimate approaches . . .
. . . . . to the Pinewood that recognizes itself in the Sounds of the Space Forest, cetaceans, birds, bells, chants, Elements and Kingdoms of the Celestial Earth Baden Powell Park, Parede, Cascais, Portugal yesterday, the 16th, and other mornings since the beginning of September 2015
Mirroring Life in a single Trans-Equatorial Presence, Ascendant and Descendant
. . . the door between time and no-time
Love knows all about it
Music does too
"Love is Music, Music is Love"
R
29 September 2007 new photo cutting from the Never Ending Story forever limited edition - 8 years later 29 September 2015
package too, then the reused paper bag, now the digital image, both customized by hand - Infinity 8 since then
. created in May 2015 inspired in and dedicated to "R" who literally embodies Music as a Celebration of Life and Love
(under intense sun reflexion) "delivered" here in 29 September 2015 the right date for this Fruit to come to Light, even if not delivered by hand this time Short video at 9 Gallery, having Silence as Sound A connection at 13 as well
And because Film is also Photography, as SoundTrack is inseparable from all that i share, here are a few more dedications that evoke and invoke the Blessing of Sound
as Proof of Unity and Antidote for
the said differences that separate
and the said diseases that disconnect:
because
T h e M u s i c N e v e r S t o p p e d
. . . playing inside of me . . .
. . . the Window and the Portico
From inside out I project My Identity Centre
Whoever reads me from outside in
may read the inversion as distortion
Whoever enters the Portico accessing the Centre
unifies with Mine from inside
and Reads the inversion as the mirrorwriting of Identification
9th October 2015 Carcavelos beach, remainings of an event were left behind, white letters that don't form words were brought Home 13th October 2015 At Home, two letters find meaning at the Entrance Window . . . MC are my initials for Maria Campos, but C also stands for Centre
A non-letter, or an almost-letter C, finds its place as arch over the Portico . . . . . . once crossed, and having passed the Centre, at the back, my Post, where all that i share here is composed The Centre at my Home is the Kitchen . . .
Central Sun-Star
on 22.10.2015
On the morning of this day,
not any day, but a singular day in my Soul calendar,
here's how i found the C
. Confirmation of the inversion without distortion in continuous Trans-Dimensional Intersection that forms and trans-forms the Geometry of Stars A Multi-D Synthesis of the Complete Set: Left and Right | Horizontality | 1D Above and Below | Verticality | 2D Inside and Outside | Depth | 3D Movement| Temporality | 4D Possibilities | Simultaneity | 5D * * *
When the two letters found their meaning at the Entrance Window, the M had to be slightly stuck in the two upper edges because the single lower edge is longer than the two sides. But C had not, it was loose.
The Crystal Star has been there for many years, suspended by a thin transparent string, at that precise spot where the Rising Sun enters for a short time-space and makes it sparkle and project rainbows in multi-directions inside.
The probability of C falling is high.
The [im]probability of C falling and slipping into the thin string vertically stretched 15 cm away - in other words, of being caught by the Star - is equally high.
The Motion taking place is definitely Down into Up . . .
. . . and because it happened today,
it Signaled Confirmation of what i had already sensed
and set in Motion for today
The Beautiful Surprise Lives on
Today I See You again
We Are truly Written in The Star(s)
Between Ascent and Descent We Meet
by the crystal sand, waiting for the Sun to Set
Treble Clef as S of Sintonia (=tune) in Total- iling Sync from Music Cutting of drawn writing of mine Complete original is intact 2007
continued Sync cut, but not discontinued
. . . later, at the promised place since 16:30 the setting moment at 18:50 something is complemented and revealed by this duo . . . this one became the background image in the padfone . . . and in Me Two independent photos, shot one after the other The Eye captured almost to the millimeter the same frame through the padfone the 1st in automatic mode unedited and uncut
. . . later, at the promised place since 16:30 the setting moment at 18:50 something is complemented and revealed by this duo . . . at a previous time, this one would be more likely chosen Two independent photos, shot one after the other The Eye captured almost to the millimeter the same frame through the padfone the 2nd in HDR mode unedited and uncut
PS: That morning the C wasn't the only thing that had fallen. The telescope which stands against the wall right by the window also had fallen towards the Star.
*
. . . closing October with October,
track 1/22 from the sound photography album Exposure,
theme and composer of my selection especially regarding this album of his return to the Essence Self, which synchronizes with me by keeping transtemporal codes about this date . . .
Upon sharing it today on G+, i translated it in this expression that accurately portrays me in my present paradoxical reserved-exposure flow:
. . . closing october
with a theme i love
in its naked version
dressed in exquisite surround
when one comes back to the instrument one knows best
spherical attraction calls in
intimately exposing
unguardedly retreating . . .
30 October 2015
. . . the Oceanic Portal
. Optical Illusion makes it seem that the Portal is sidewards 9 October 2015 Carcavelos Beach
. Optical Illusion at closer distance is not yet Reality 9 October 2015 Carcavelos Beach
. Optical Illusion merges with Reality the Portal is Facing and Centred 9 October 2015 Carcavelos Beach
Graffiters
Two photos, but One Sun
Two beaches, but One Ocean
Many Doors, but One Portal
A Monastery i have visited, but its Master Visits Me
A Wave i have never surfed, but One I Surf . . .
A Film i have never watched, but One I See . . .
. . . finding Secret Connections . . .
audio interview to the Film Director (PT only)
video document of the Film Director
Languages that do not belong to me, but are Mine
I Recognize them in the Eternal, because
on this side, i align all the opticals
but on the Other Side, I Am the Single Optical that Is
I See You, You See Me
We Merge, We Cross
optical illusion
+
magnetic poetry
Circular Pair in the form of Trinity
Point Centre Circle of each Identity
Alike elements attracted in Creativity
Generative Peace in the Single Optical of Integrity
Originally, the sentences are formed by uniting the different words added with the same words printed on the box, read in a row, from top to bottom on each side However, placed side by side, they allow other readings . . .
. The mandalic designs also allow a sequential reading . . .
In this formation the word "spirit" slightly slid to the right covering part of "illusion" . . . a 'sliding' that says something . . . In today's photo, below, the 'sliding' is already corrected This side corresponds to the puzzle that came in the box, the assemblage of which is shown in the photos below
When the little box of Peace, brought from New York by a friend, was given to me in Nov 2011, moments before starting the 1st show in Portugal of Raul Midón (returning this Nov 2015), the Lagoon puzzle was already here some time ago In March 2015, during a particular home remake, i assembled sentences on certain metallic pieces In June i took the 3 photos but didn't share them before . . . . . . the Oceanic Portal evoked this Pair today in my wake 1st Nov 2015
. . . i'm puzzled . . . i didn't recall Raul Midón associated with the little box of Peace It brought back the word "always" Thank you for singing _____________ this time "magnetic poetry"(USA) + "LAGOON PUZZLES"(UK)
Magnetic Resonance
Living my multidimensionality consciously is a constant revelation and creation of bridges within infinite variables that i attract through the Geometric Law of Resonance, facilitator of Synchrony and Synthesis. We all live this and all the other Universal Laws, whether consciously or not, but to See them in Action with full Senses is both a creative privilege and a creator factor of Totalizing Optical Reason.
Magnetic Resonance is the name i gave to this GEOMAG construction hanging from the lamp by my right side (seen in the photo above called "Portico") The upper part bridges with the video hyperlinked above. The lower part represents 4 meridians that intersect at the "heart" of the brain. The whole set took this shape intuitively this year, after having been through other shapes since December 2012 Photo on 5th Nov 2015
. Infinite are the bridges possible Sertã, Portugal, 2009
. and to be retained in them is possible as well
because only bridges whose margins are no longer in dissonance but in resonance can be crossed. Before this, the same elements that can be harmonizing are seen as obstacles. The same is said for Portals.
11/11
. Upon Seeing this Being, I Evoked who You Are and I Invoked You to the Place that is Yours Your Love and Power is King as My Love and Power is Queen In Your Name and Mine, I hereby Restore the 11/11/2013 at Belém, on this 11/11/2015
Mandala-spiral hand-created by my son Afonso in Brazil, present given to me, kindly brought by uncle's hands and delivered today in Belém. In this set already existing at home, it immediately found its place behind the glass circle with the exact diameter. . . . in moved Gratitude . . . 11/11/2015 P.S.: on that same day he sent me the making-of video of the mandala, drawn and filmed on the 18th Oct. Today made available here: "Return to Essence", Afonso's version 15/11/2015
Deities Identities Synthesis
At the beginning of November i had an outer hint that i might receive an inner message from Source on the 17th. So i did. That night, without any prior inner or outer related suggestion, an isolated name crossed my dream states and reached my waking state in the morning: Kali. Despite that i am not attached to hindu deities or others, i recognize these aspects within the Universal Divine Mother. Upon re-reading trust-worthy information about her, and being aware of the role she's had in [my] life, the verbal expression that emerged was "Enough of Kali. Come Lakshmi." Amidst this, a photo was evoked. In this photo, which always moves me, portrait of a trip spoken in French, more than ever i feel that i have Dressed and am Wearing an East-West Synthesis.
In certain Ancient Cultures, no one is elected Chief of the Tribe without the ability to put oneself in another's place. To get inside the clothing of another may be both an actual and symbolic act of knowing them. In this case, without this conscious intension, the clothing got trans-dimensionally inside of me instead, echoing a Silent Voice that can be Seen recorded in my face within this real scenario.
Do you really want to know the other? Wear them.
Invoke then their Higher Nature from within.
. I fell in love with the dress but could't afford it. The wise salesman insisted that i tried it and was keen to add the scarf to my head. More than the dress, he gave me the opportunity to get inside an Identity at a place that embraces it, a dimension that wouldn't have been reached by buying the dress. My gaze went to him. In mutual embrace, sweet Mohamed, the teen that self-assigned as our guide as soon as we entered the city, the only city we got a guide. Marrakesh, Marocco, 1992
. . . Dance them
from Clothing to Body
Acute calling to dive in intensive training for ballet-dance, fruit of a new Creative Tension asking to be Played in full Vibration, as a musical instrument that has just been fine tuned. It is not a quest for a peak experience, it is a Balance Update in the physical dimension. Materialized Spherical Attraction . . . des-densified . . . Cover of magazine from creativity expo in 2008 was completed with folder from sculpture expo in 2012 (both at Cascais Cidadela fortress) 21/11/2015
Where the Horizontal is Verticalized, the former National Royal Coach Museum, an internationally unique collection transferred to this new building in Belém, now assumes to my eyes the contours of a Dance Auditorium, dressing the straight lines of the modern Architecture with sinuous forms that imprint the Ether with the Majesty of this Universalizing Movement original photo, unedited and uncut part II of the 11/11/2015 unfolded on 21/11/2015
Verticalizing Symmetry from the mirrored duplication of the original photo on the right, which is actually the left extremity of the same building facade portrayed above.
A Symmetry that creates a Pair at the Centre. As in the movie Adjustment Bureau, in order to enter the next Dimension, both doors must be opened simultaneously by the Pair, synchronizing the clockwise and anti-clockwise movements. original photo, unedited and uncut New National Coach Museum, Belém 11/11/2015
VERTICAL
ROAD
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